When I first moved to California I began noticing ‘eyes’ on the trees, which sparked the beginning of my spiritual connection to trees. Nowadays, I visit my local parks ritualistically to meditate under the trees, hoping to receive some of their ancient wisdom. I’m super inspired by their sort of quiet liveliness, often unnoticed and disregarded in a Western society that only values “intelligent” beings (intelligence, of course, being defined by humans). It reminds me of the ways in which Black + Indigenous women are erased and disregarded in Eurocentric societies around the world, both figuratively and literally. Partly inspired by the fact that there are more depictions of the female body in the art gallery world than there are actual women, as well as the violence happening against Indigenous and Black girls (#MMIW and sex-trafficking, to name a few), I craved an alternative narrative for my body and its’ place in this world. I wanted to depict the Black female body as being akin to the divine nature around me; specifically the spirits of the trees. To me, this is also symbolic of my commitment to self-preservation and wellness both as a Black woman, and as an earthling who is part of a greater ecosystem in need of support right now. Perhaps if we were to see ourselves in trees, see ourselves in the world around us, we would see that there really is no separation between ‘us’ and ‘them’. The wellness of Mother Nature is a reflection of our own wellness, and the way we treat her is the way we treat ourselves.

About Author

Wordsmith. Rootworker. Technologist. Artist. I am the “Black Indian” woman they tried to erase from history, and I dream of abolition. My work is alchemy at the crossroads between the spiritual, material, and digital world; connecting the wisdoms of each realm to provide new ways of manifesting a liberated future. Referencing Native American philosophies of land stewardship, and African conceptions of time and space, my work centers the ancient wisdom of my ancestors as fertile ground for radical possibility. Above all else, I see myself as a vessel for Spirit, and allow my intuition to guide my work. With traditional & digital painting, web technology, and modes of written expression ranging from academic research to storytelling, I use my gifts to channel messages of Truth, and center Indigenous cosmologies in everything I create, build, transcribe, and tell. Check out Anisa's websites: (coming soon)